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Two young people sit across from each other on a train at sunset, each writing or reading a handwritten notebook, with a sealed envelope between them on the table and a city skyline beyond the rain-speckled window.

How to Use Dual Point of View in YA Fiction

Dual point of view works when each narrator contributes an irreplaceable perspective on the same conflict. This guide explains how to separate their voices, structure switches and revise two connected arcs.

A young person sits at a desk in a softly lit bedroom, looking out an open window over a river city at sunset; an open book, handwritten notes, keys and a phone rest on the desk.

How YA Novels Portray Controlling Relationships

Controlling relationships in YA fiction are often revealed through a gradual narrowing of the protagonist’s choices, friendships and trust in their own judgment. Here is how to recognise that pattern and decide whether a novel… 

Should I Try to Become a Young Adult Author?

If you keep finding yourself drawn to teenage characters, coming-of-age stories, first experiences, complicated friendships, family tension, identity, grief, romance, rebellion, or the strange intensity of being young, then writing young adult fiction may be… 

Furious Thing Review

Jenny Downham’s Furious Thing is an emotionally intense, ultimately hopeful YA novel that treats a teenage girl’s anger as a source of insight rather than a flaw.